Guest contributor Caroline Reck is the founder and artistic director of the award-winning Glass Half Full Theatre, which has created some of the most creative, educational, and emotionally moving theater productions I’ve experienced in Austin (or anywhere). I can’t wait to see their latest work, Cenicienta: A Bilingual Cinderella Story, and you’ll understand why whey you read Caroline’s inspiring post below.
A few weeks ago, my young daughter and I were lying on my bed, reading a story. I wanted her to nap. She wanted to talk to me about the patches in our ceiling plaster, where a leak in the roof had caused some discoloration and peeling sections. I always avoided looking at those patches, a reminder that despite having our roof repaired, I had yet to chip away the plaster and repaint the ceiling. But Clementine saw something else. Unaware of my angst about those patches, she told me, “Mama, I love your ceiling! It’s so beautiful. There’s a mama fish, and a baby fish, and that one’s a bear. They’re taking care of each other, in case the bear isn’t a friendly bear . . . oh, no, it’s OK . . . the bear is smiling. . . .”
I was reminded, once again, of how important imagination is in creating a sense of positivity, of possibility, of aspirational thought. I shouldn’t have to be reminded. I’m the founder and artistic director of Glass Half Full Theatre, an Austin company, where my job is dreaming up ways to help audiences look at life in imaginative and optimistic ways, through puppetry and other live theater forms.
But it is so easy to let the everyday drudgery pull you down, make you forget your natural imaginative urges, and I see it happening to kids at younger and younger ages. Many factors contribute to children using their imaginations less often: screen time supplying ready-made images and predictable stories, exhaustion from long hours at school and aftercare, overscheduling of overly structured activities. As an educator, artist, and mama, I’m always looking for ways to promote imagination in children’s lives, and I particularly like to do bilingual work, so it’s accessible to kids whether English or Spanish is the language they are most confident in.
I wrote a play that was originally produced in 2015 at ZACH Theatre, in collaboration with Teatro Vivo, and is currently touring to schools in the Greater Austin area. It’s called Cenicienta: A Bilingual Cinderella Story and features the character of Belinda, a young girl banished by her uncaring stepfamily to the basement. Undeterred, Belinda befriends the objects around her, inventing characters with her unbridled imagination.